Eaton’s prepares to be exhumed

It’s been two weeks since Sears Canada split its advertising creative account between incumbent Ammirati Puris and TBWA Chiat/Day, but the retailer has still not decided which agency will be handed the task of breathing new life into the once-venerable Eaton’s brand.

Originally, Sears said it planned to award its retail branding assignment to one agency, and have another shop work on both the Sears Whole Home business and the Eaton’s banner. But that thinking changed during the review process after agencies presented Sears with some different ideas for divvying up the business.

‘We’re rethinking a couple of things,’ says Nina MacLaverty, Sears’ vice-president of retail advertising. ‘The (shortlisted agencies) have given us some food for thought on not only who does what, but how to bundle it.’

Regardless of which agency inherits the Eaton’s business, one thing is clear: The banner will be abandoning its most recent positioning strategy – chic fashion items for the younger set – and moving back to its roots.

Paul Walters, CEO of Sears Canada, has said in published reports that the company’s six Eaton’s locations will return to selling hard goods like appliances and electronics and that its fashion offerings will be positioned somewhere between the everyday assortment at Sears and the upscale selection at Holt Renfrew.

Communicating the new positioning to consumers will pose a significant challenge, however, since many of Eaton’s previously loyal customers may already feel too alienated by events of the recent past to rekindle their affinity for the brand.

‘They’ve got to get it right, first off the bat,’ says Richard Talbot, an analyst at Unionville, Ont.-based Talbot Consultants. ‘There’s got to be a ‘wow’ factor when people walk into the store to restore instant credibility.’

Because Sears is only operating six Eaton’s stores, each of which is located in a different urban market, Talbot says the store’s new handlers will have to stop marketing it as a conventional retail brand.

‘I think what they have to do is define who their target customers are in the specific markets they’re in,’ he says. ‘Each of the different markets has different ethnic mixes, different incomes, and different needs. It’s that kind of independent focus, rather than a chain focus that [they need].’

MacLaverty would not comment on when a new campaign to promote Eaton’s repositioning will break, although most observers figure it will appear in late summer, in time for back-to-school shopping.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.