Clearly Canadian launches in U.S. first

Everyone’s heard the clichés before.

‘We’re living today in a world without borders.’ ‘There is no such thing as a Canadian company anymore.’ ‘The whole world is our marketplace now.’

But what, exactly, does all of this mean in terms of concrete, day-to-day reality? What do Canadian firms go through in the effort to market their products and services internationally? How do they build brands on a global basis? What are the challenges – and the rewards?

For this special report, Strategy’s writers profile the global marketing activities of several noteworthy Canadian companies.

Canada. When you get right down to it, that’s what Clearly Canadian Beverage Corp. is really selling.

In marketing its Clearly Canadian brand of flavoured sparkling water in the U.S. and abroad, the Vancouver-based company has always leveraged Canada’s international image as a land of clear waters and pristine scenery.

‘We’re using the cachet of Canadian water and Canadian imagery,’ says Jonathan Cronin, vice-president, marketing for Clearly Canadian. ‘That’s been the foundation of the brand’s success since the beginning.’

Canadian heritage may well be a major selling point for the brand, but it’s the pursuit of the good old Yankee dollar that keeps the company flourishing. While Clearly Canadian sells its products in a number of international markets, including the U.K., Ireland, Germany, Sweden, France, Turkey and the Middle East, more than 70% of its worldwide sales are in the U.S.

Indeed, when Clearly Canadian started up in 1988, it began selling in the U.S. market even before rolling out its products in Canada. And with the launch of each new brand extension, it continues to follow the same pattern. Why? Because the major centres of the U.S. are where trends are set, Cronin explains. ‘If you’re successful there you draw attention to yourself, and that’s the best advertising you can do.’

Given the dollar volumes generated south of the border, Cronin says it gradually became clear that a U.S. office was necessary. So in 1998, the company acquired Cascade Clear Water Company of Burlington, Wash., and promptly moved several divisions, including its marketing department, from Vancouver into the latter’s facilities.

With new brands continually entering the $7-billion ‘alternative beverages’ category, Clearly Canadian has been compelled to adopt an aggressive product development strategy in the past several years.

The first extension of its core line was Natural Artesian Water, a non-carbonated, sodium-free product. That was followed by Clearly Canadian’s Quencher, and then Orbitz, a fruit beverage containing suspended ‘flavour gel’ globs (not one of the company’s most successful entries). More recent additions include Clearly Canadian O+2, an ‘oxygen-enhanced’ beverage, and Battery, a high-caffeine energy drink sold in Finland.

Cronin says Clearly Canadian does not advertise heavily, relying instead upon local and regional public relations efforts, product placements, sampling, special events and sponsorships.

Vancouver-based Palmer Jarvis DDB handles all promotions and advertising for Clearly Canadian, both in North America and abroad. In overseas markets, distributors are provided with marketing materials developed in Canada, which they then customize accordingly.

‘The creative is essentially translated for specific executions,’ Cronin says. ‘They are not free to re-execute the creative. This is the Canadian image and message we want to communicate.’

As for new media, Cronin says Clearly Canadian is approaching the whole area with caution. The company employed the Web aggressively for the launch of Orbitz, but has since backed off somewhat.

At present, he says, Clearly Canadian is trying to figure out how to manage local distributor relations online. An e-commerce trial is planned for the first quarter of 2000, but Cronin doesn’t envision this as a large piece of the company’s business.

For the moment, a much higher priority is the relaunch of its core Clearly Canadian brand, with the forthcoming introduction of ‘revolutionary’ new packaging and a new look.

The initiative, scheduled for this spring, is intended to refresh the now mature brand. The U.S. will see the ‘new’ Clearly Canadian first, followed by Canada and, eventually, the international markets.

Also in this report:

– Tim Hortons issues wakeup call: Builds underdeveloped breakfast category p.25

– Faces adapts to local market: Cosmetics retailer leverages awareness of cultural differences p.25

– Honeydew pegs future on U.S. sales p.26

– Buckley’s takes bad taste message abroad: Cough syrup marketer making steady inroads in U.S. and overseas p.27

– Great Canadian Bagel makes slow but sure gains in Moscow p.27

– Southbrook Farms and Winery proves its worth abroad: Ontario winemaker uses foreign success to boost sales at home p.28

– Seagull Pewter sells at shows: Family-run giftware operation does business in over 20 territories p.28

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.