World’s Sexiest Commercials anything but

The things I do for you.

Just the other night, when you were down at the bar, I was still in harness.

Working my fingers to the bone.

Slaving over a flickering TV screen. Tirelessly tracking trends in international advertising for your amusement and edification.

The program I’d spotted in the TV guide was heaven-sent for an ad columnist 24 hours away from a deadline and devoid of inspiration.

It was called Banned in America: The World’s Sexiest Commercials. Perfect. A column-in-a-tube. Ominously, it was to be hosted by someone with the unlikely name of Carmen Electra, who turned out to be a bubble-breasted, construction worker’s wet dream, and who I believe is mainly notorious for getting drunk and being arrested in the company of Dennis Rodman.

Carmen’s contribution to the show was to bulge out of skin-tight Spandex and introduce each of some 50 spots with a salacious, double-entendre-laden little spiel intended to convince us the next one was totally filthy and then give us the same, identical I’m-such-a-cute-little-slut giggle and kind of undulate while the audience cheered and hooted. Fifty times in a row!

Overall, you’ve got to think America is a better place for banning the stuff on The World’s Sexiest Commercials. Most of the off-colour ones are puerile and embarrassing, and most of the funny ones aren’t very sexy.

You had your jiggling breasts spot from Portugal, of all places. Anybody here from Portugal? Yeaaa! The actress’ breasts jiggled because her cell phone was vibrating. Next time she’ll buy a cell phone that doesn’t vibrate.

And the vibrator spot from Finland where the farmer picks up a package at the post office for his wife and it goes off in the box when it hits the counter and starts moving around making buzzing sounds. We think it’s a sex toy until we see the wife whipping up a cake mix with her new battery-powered kitchen beater. Shot of husband, bummed out. Sponsor is a package delivery outfit.

There was a condom commercial from Argentina where a little boy is driving his father nuts by insisting on playing with Barbies rather than army guy action figures. Cut to kid, now post-pubescent, waking up in bed with two snoozing babes who look exactly like Bar

bies. He’s straight, but all his male friends are now gay. Slice-of-life stuff must be huge in Argentina.

One more condom-based spot from Brazil has a teenage guy picking up this lovely young girl to go on a date. Her father asks him what he intends to do with his daughter, and the kid goes into a long and cheerful description of how they’ll go make love but not to worry because he’ll use these new condoms he’s purchased which are great because they’re ribbed and so on. A voice-over says some people can only speak the truth and for them there’s only one job which is writing for such-and-such newspaper. Wow.

Another newspaper spot from South Africa has a flasher opening his trench coat on unsuspecting victims, with the voice-over saying Something small to advertise? Call such-and-such newspaper.

Confessional spots were big, too. A village lad tells a Catholic priest he’s just had sex with two nymphomaniac twins. The priest invites him to confess. He says he doesn’t want to confess. Then why are you telling me this says the priest. I’m telling everybody says the kid. Foster’s Lager sponsors, and the line is He who drinks Australian thinks Australian.

A rival Australian beer shows us three guys who’ve just arrived in a sleepy outback town. One goes into a church to take confession. He tells the priest he’s slept with a local girl. The priest says It wasn’t so-and-so, was it? No. Was it so-and-so? No. Could it have been so-and-so? No. Well, say 20 Hail Marys and don’t do it again. Guy leaves church, goes back to friends.

I’ve got three names for us! he says.

A spot from New Zealand stars a bored, hostile, middle-aged married couple, apparently going on holiday, because they’re sitting two empty seats apart at the back of an aircraft with a sign that says toilet over their heads. They don’t even look at each other when they speak. The guy is munching on something, though. Did you stop the paper he barks. Yeah she says. I’m seein’ another woman he says. Me too she snaps. Product is Peanut Slab, which is described as Good Honest Chocolate.

For those who believe erection metaphors make for compelling advertising, we have a spot from France that shows a guy having difficulty making a deposit at a sperm bank. He finally achieves dramatic success with the help of a magazine turned to a motorcycle ad. Your kind of bike, right? No?

Also, an outfit called New York Sports Clubs solicits memberships with an elderly couple in bed. To their mutual delight something is happening to the guy under the covers! Then a super comes on: Too bad there’s not a pill that makes the rest of your body hard. Another club I’m not sure you want to join.

Next time somebody tells you sex sells, give me a ring and I’ll loan you my dub.

Barry Base creates advertising campaigns for a living. He writes this column to promote the cause of what he calls intelligent advertising, and to attract clients who share the notion that many a truth is said in jest. Barry can be reached at (416) 924-5533, or faxed at (416) 960-5255, at the Toronto office of Barry Base & Partners.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.