Internet long on potential, short on delivery, say speakers

The dot-com business model is alluring if not downright sexy. You start it up in your garage, generate a buzz, get some financing, float an IPO and watch the riches come in.

But as delegates to Strategy’s Online to Profit conference last week were reminded more than once, there’s no question that there’s an advantage to having an established brand and a good ol’ sidewalk storefront, too. For the Internet, with all its promise, is still but one channel – and one that’s being shaped and formed by both marketers and consumers.

‘There is no question that there is some

advantage to brick-and-mortar companies if they’ve invested in their brands,’ said Doug Keeley, president of ICE Integrated Communications & Entertainment, and chairman of the first day of the two-day event, held in Toronto. ‘The message coming out today is, if you are starting a dot-com and you don’t have a ton of dough, you should probably stay home. (Otherwise) you will be one of

the 75% (of dot-com businesses) who just don’t make it.’

Start-up or not, Online to Profit was also

about exposing strategies that would help

marketers thrive in an era in which the old

business-to-customer marketing model has been turned on its head.

Peter Evans, vice-president of marketing for Toronto-based e-mail marketing service provider FloNetwork, told delegates that Web-based marketing will require ever more relevant and database-driven customer offers and engaging creative formats to better-targeted prospects.

In contrast to the rosy outlook Evans and other speakers presented, Creative Good CEO Phil Terry stated flatly: ‘There is a lot of hype and I want to bust it.’

Terry pointed out that despite its promise, e-commerce also has a huge ‘unrealized’ potential – as much as $14 billion in the U.S. alone, with that number arising from lost or abandoned e-commerce purchases in 1999.

‘The Internet has failed to live up to its promise,’ he continued. ‘There is a gap between the promise and the reality for most people who use the Internet. The promise is convenience and making our lives easier; the promise is to give us access to products and services that we’ve never had before. That’s not the reality.

‘If you understand the implications of this, your business will be more successful – by simplifying and focusing. You must ask yourself: How can we solve a customer need?

‘In other words, think from the point of view of your customers.’

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.