TD clicks ahead with Internet-based mutual fund

While most mutual fund marketers have set aside a portion of their budgets for Internet-based advertising and marketing, TD Bank has taken things a step further with the launch this RRSP season of Canada’s first Internet-based mutual fund.

The TD ‘eFund’ completed its national rollout last month. To date, it is the only Canadian fund sold exclusively over the Internet. The fund charges about half the fee investors would normally pay if they bought a similar fund through a bank branch. It also offers e-mail investment advice and live Web-chat.

‘To retain our current customers and attract the growing number of Web-savvy investors, we have to be able to offer them investment vehicles in the manner they are demanding – and they are demanding it over the Web,’ says Patricia Lovett-Reid, TD Asset Management director of communications.

As the Canadian mutual fund market continues to consolidate, marketers are scrambling for ways to entice new investors and retain their current clients. While the market rebounded somewhat – February saw the strongest mutual fund sales in nearly two years, with $6.5 billion in net sales – last year investors redeemed a whopping $1.3 billion, according to the Investment Funds Institute of Canada.

About 40% of eFund’s investors are new clients who have not transacted business with TD bank before, says Lovett-Reid.

The TD bank has long positioned itself as a leader in online financial services. Its Internet discount brokerage, TD Waterhouse, is huge, with more accounts than its three Canadian competitors combined.

However, investors are not flocking to the Net to determine where to invest their RRSP dollars, says Al Hay, president of Toronto-based Burwell Hay Market Research.

Only 13% of those surveyed said they logged on to the Internet to investigate RRSP investment opportunities. While this figure has doubled since 1997, it still represents a small minority of investors.

‘Canadians still prefer to talk to their financial advisors face to face rather than log on to the Internet,’ says Hay.

That is reflected in the advertising strategies of many mutual fund marketers. Even for TD’s eFund, promotion on the Internet has taken a back seat to more traditional forms of advertising, says Angel Kasparian, TD Asset Management director of marketing.

While there was some limited banner advertising, the lion’s share of the budget went to print ads in The Financial Post and The Globe and Mail’s Report on Business with support from advertising in computer publications.

‘It is still a big question how effective the Web is in marketing our products,’ says Kasparian. ‘We are not sure how we can translate the clickthroughs that we get into money in our pocket.’

That’s a sentiment echoed by other mutual fund marketers.

Virtual bank ING Direct introduced its first line of mutual funds earlier this RRSP season. While the funds are not yet sold over the Internet, ING plans to add that capability soon, says Stacey Grant-Thompson, ING senior vice-president of marketing.

While ING’s Web site is highlighted in all its advertising efforts, the company still looks to traditional channels such as television, out-of-home and direct mail to promote its offerings, she says.

‘The Internet for us is still mainly an information medium rather than a branding medium,’ she says.

AGF Management, for its part, uses its Web presence to inform consumers about its products and services and keep current clients up to date with their investments. Traffic on the site has exploded to 400,000 hits this current RRSP season from only 20,000 hits a year ago.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.