Curtain comes down for Holmes & Lee on Post

In an odd move, even within the wacky world of advertising, Toronto-based ad shop Holmes & Lee issued a press release last week stating that it had resigned the National Post account because it couldn’t work with former theatre impresario Garth Drabinsky, who had been hired last month as a marketing consultant for the paper.

According to the four-paragraph release, the agency encountered ‘extreme differences in advertising’ with Drabinsky, who, the release states, wrote, produced and directed a direct response television spot currently on air that ‘has no connection to Holmes & Lee, whatsoever.’

Reached by telephone, Peter Holmes, the agency’s co-founder and creative director, says, ‘We tried to work with (Drabinsky) but it was impossible. The man’s ego knows no boundaries.’

The thing is, according to Ron Clark, the Post’s vice-president of marketing – whose name, incidentally, was included as a contact on the press release – the account wasn’t Holmes & Lee’s to resign, as the agency was brought in solely on a project basis.

‘Resigned from what?’ he asks incredulously. ‘They weren’t hired as our agency of record and the project they were hired for is nearly complete.’

Clark says he was aware of the conflict between Drabinsky and the agency but was surprised by the latter’s actions. He adds that he stands behind the appointment of Drabinsky, who he says is helping to position the Post as more than a financial newspaper and increase its appeal in entertainment and cultural circles.

‘You cannot dispute what the man did for Cineplex and for Toronto theatre,’ says Clark.

Drabinsky has close ties with National Post owner Conrad Black. Black sat on the board of directors of Livent, the live theatre company founded by Drabinsky and Myron Gottlieb, before it collapsed amidst allegations of financial mismanagement and fraud. Drabinsky and Gottlieb are currently fighting extradition to the U.S. to face criminal charges.

Drabinsky could not be reached for comment.

The Post, meanwhile, has consolidated much of its marketing in-house, but will continue to look for agencies to aid it on a project basis. Those agencies will be told that they will have to establish a working relationship with Drabinsky, Clark says.

That probably doesn’t come as welcome news to Holmes & Lee, as, according to the release, ‘We love the potential of the (National Post) brand, and we hope to be able to help if and when Mr. Drabinsky is gone.’

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.