We’re in danger of losing our ability to be patient

Rob Young is a founding partner and senior vice-president, planning and research at Toronto-based Harrison, Young, Pesonen & Newell, one of Canada’s largest media management operations.

Last month, my father, my daughter and I spent a couple of hours walking through the family bush lot – an acreage located in Sombra Township, 50 kilometres south of Sarnia in Lambton County, Ont.

My dad, who’s in his mid-70s, suggested we stop for a moment and ‘listen to the music,’ as he put it. That music was the sound of the countryside, which has a startlingly different quality than the din that assaults us, day in, day out, in our hectic, urban, media-centric environment.

So there we were – three generations of Youngs, standing quietly together in the middle of winter-swept bush. I’m not sure what my dad or my daughter were thinking about, but I was thinking about the very powerful and positive impact that farming once had on Canadians – on their media habits, their lifestyles, and their very souls – and how that impact has diminished to a mere whisper over three short generations.

I was also thinking that the skill-set possessed by good farmers is a skill-set good media managers and brand marketers also possess – the ability to expand one’s decision-making time horizon to include seasons and years, rather than just days and weeks.

My dad assumed full-time farming duties in the late ’30s, when he was only 14 years old. He quit high school to manage that bush lot, selectively cross-cutting ash, buttonwood, oak and maple, sliding the timbers out over hard, frozen ground by horse so as not to damage the property, and then transporting them by horse-drawn sleigh to my grandfather’s mill where they were transformed into usable lumber. So when dad began his full-time farming career, he was younger than my 16-year-old daughter is today. In that year, 24% of Canada’s labour force worked in the agricultural sector. That means that a majority of Canadians were at least familiar with the concept of the family farm and a very significant minority lived the farming lifestyle.

I took my turn working on my grandparents’ farm when I was 14 years old. Many of my peers also took their turn feeding chickens and plowing fields. That was in the early ’60s and, by then, a smaller but still significant 10% of Canada’s labour force worked in the farming business.

Today, only three per cent of Canadians work on the farm. My daughter is the first generation of Youngs not to have some kind of hands-on farming experience.

The family farm, the farming occupation, and the management skill-set that comes with working on a time scale that’s measured in months, seasons and years, rather than weeks, days and hours, is far removed from my daughter and her peers.

It makes me wonder whether perhaps some of the radical differences in media usage between those in the XY segment – people 12-24 years old – and the baby boomer generation might be attributed to the degree of exposure they’ve had to the farming philosophy.

Toronto played host to a farm-aid benefit concert in January of this year. The agri-occupation was portrayed as an endangered species. Tears were shed over plunging commodity prices, lousy returns, bad weather, and the lack of government attention and funding. These are all heart-rending issues – but something more has been lost. We are in danger of losing our ability to be patient and to think in broad time horizons.

Media and marketing professionals take pride in their ability to respond instantaneously and to act on time frames that involve weeks, months and quarters – but few are rewarded for ensuring long-term brand efficacy.

In my view, bush lots and brands have a lot in common. Brands that are tapped out in the short-term have little to offer down the road, but if they’re managed well, brands – like bush lots – replenish each year. Both can be a perpetual, renewable resource if well-managed on a macro timeframe. And they can lose their value if they’re simply clear cut, exploited for short-term gain.

Maybe MBA grads should have to spend a year managing a bush lot before they hit the job market.

Send your comments via e-mail to ryoung@hypn.com.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.