Hugh Black and Gabriella Nobrega are vice-presidents with GCI Group in Toronto.

In building their brands, many dot-com enterprises face a dual challenge. In addition to defining who they are, they also have to define their market, and their own place in that market. Because they may be creating brand new market niches that never existed before, they need to sell both the concept and their brand to a wide range of audiences, including investors, potential partners, customers, analysts and the media.

Autobytel.ca and TargetNet.com are just two of the dot-coms that currently find themselves in the midst of this exercise.

Autobytel.ca, a leading Internet car-buying service, has spent the past year educating consumers about the benefits of purchasing vehicles online, while at the same time trying to demonstrate to automotive dealers how the Web can help produce a winning solution for themselves and their customers.

TargetNet.com, a provider of online advertising products and services, is introducing clients and agencies to the concept of rich media banner ads, and promoting its ability to deliver targeted reach through its Adpulse and Datacom properties.

Both enterprises have employed public relations as a key instrument for building their brands. Why? Because PR is one of the most cost-effective means for a dot-com to get the results it’s looking for.

As Internet-based ventures, dot-coms operate in an exceedingly fast-paced environment, where technology evolves swiftly and change is constant. Slow down, and you risk being overtaken by competitors.

The need to move quickly has prompted many dot-coms to take a broader view of public relations than is often the norm in the offline world. Their use of PR extends well beyond traditional media relations, into areas such as brand positioning, investor relations and the building of strategic partnerships. One dot-com executive, for example, told us recently that he was looking not only for a firm that could execute well, but that could bring a network of potential partners to the table.

One of the pitfalls of communications in the dot-com space is the impulse to move too quickly and continually shift the organization’s core positioning. This is a fatal mistake. Just as in the offline world, public relations strategy on the Net must be rooted in core brand character and key messaging. Too often, however, there’s a temptation to neglect strategy (or develop it on the fly) and move immediately into execution.

Rob Carscadden, general manager of TargetNet, says that dot-coms must learn to adapt to the pressure of a fast-paced environment, while at the same time embracing the proven brand-building techniques used by traditional bricks-and-mortar companies.

The key is to establish a positioning that, on the one hand, is flexible enough to withstand the constant change of an evolving market, and yet will remain relevant to the audiences that the company wants to reach. The core brand proposition needs to be distinct, striking a balance between emotion and logic – and it must be used consistently.

Here again, public relations can play a crucial role. After all, by definition, PR is the process of establishing relations and communicating with your audiences in a consistent manner.

Dot-com enterprises do enjoy one particularly important advantage from a brand-building standpoint: the two-way communication that is possible in the online environment. Through ongoing dialogue and exchange with customers, dot-coms can customize and tweak their messaging – overnight, if necessary – while working to stay within the bounds of their core positioning.

When carefully planned and thoughtfully executed, public relations can help to create some of the world’s most powerful brands. The key is to combine strong positioning with solid execution, thereby ensuring that the brand enjoys the highest possible level of awareness and relevance to customers.

Also in this report:

* Dot-coms put best face forward: PR playing a larger role in communication strategies of online enterprises p.B2

* PR meets investor relations: Disciplines converging in high-tech world p.B5

* High-tech PR expertise in short supply p.B6

* PR firms must show creativity in hiring p.B7

* Web impacting corporate reputation: Companies want to know what’s being said about them online – and by whom p.B8

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.