Timing is everything

Timing, they say, is everything. In truth, of course, nothing is really everything, but timing certainly is important in just about every field of endeavour.

Take war. Too many battles to mention have been lost by the timely or tardy arrival of one general or another. (The most ironic such situation was probably the Battle of Fort Stevenson during the American Civil War; the Confederates lost that particular conflict because General Early arrived late.

Or take a piece of geography like North America. Columbus had promised his near-mutinous crew that they could return to Europe if they didn’t find land to the west by Oct. 13, 1492. They "discovered" the Bahamas on the 12th.

Or take my address label test.

Time was, I was involved in testing two direct mail packages for a fundraiser to determine whether free address labels should be given to recipients. In September, the "freemium" package and the non-freemium control package were sent out. Results came in and, despite the extra cost, the former won the bottom-line test.

The intention was that the winner would be rolled out in November, and because of the time of year, get an even higher response rate. But for reasons too confidential to go into, the client didn’t mail the winning package until well into December. The result? It generated half the donations that it had during the test.

Why? Timing.

In September, they were the first kids on the block to give away address labels; in December, they were probably 497th. And people are simply less inclined to donate money out of gratitude for being given something they’ve already received from every Tom, Dick and Save The Harriett in the charity arena.

About a year and a half ago, I had another experience with address labels and bad timing. Or at least two fundraisers approaching my friend Generous Joan did.

She’d been on holidays in late August/early September and returned to find 17 kilograms of fundraising appeals waiting for her. Being a kindly soul, she dutifully examined each and every one of the pleading packages that had arrived during her absence. But not being a soul with unlimited financial resources, she had to use some discretion when it came to deciding which not-for-profits were to profit from her generosity.

Two packages that stood out were nay-sayed by her – not because they were bad creatively, but because they were nearly identical and, therefore, were not credible.

Each featured a white number-10 envelope with a standard DM addressing window.

Each had a teaser above it, reading "Special gift enclosed." To the right, in each case, was an oval second window that allowed the recipient to view the personalized address labels that the envelope held. In both packages, the envelope fronts bore no identification as to who the sender was.

Inside, each contained an 8-1/2 by 11-inch sheet of two-colour address labels with a detachable donation form in the upper left-hand corner.

Each also had an 8-1/2 by 11-inch letter printed two colours both sides, typeset in American Typewriter.

And each package included 3-3/4 by 8-1/2-inch buckslip providing information about the respective organization.

One of the biggest differences between these almost-twin packages (and the most inexplicable) was that one of the senders paid 24¢ for metered postage while the other paid 25¢.

With the packages being so similar, you have to presume they were done by the same agency and that they used a formula that had proven successful for them and their clients in the past. And that’s not a problem…unless you send the packages out so closely together that they end up in the same day’s mail.

Timing. These two fundraisers, as well as Generous Joan, can tell you how important it can be.

Sometimes, as with the aforementioned examples, you have control over timing; sometimes it’s out of your hands. Regardless, it can be disastrous when it works against you. Just ask Image Bank.

They sent Knight & Associates a four-colour postcard, the back of which announced that they and The Cousteau Society were, for the first time, making available 1,000 photos for commercial purposes. The front featured a photo of Jacques Cousteau himself.

So what’s the problem? Just that it arrived the day after the national news treated us to a display of a Cousteau Society crew running roughshod over a pod of whales. Yes, there they were on TV, the supposed guardians of the deep, joyously driving their Zodiacs over the backs of helpless whales.

And there was the group’s namesake the very next day, smiling out from the Image Bank postcard. Talk about timing.

Not only was the venerable Jacques undoubtedly turning in his grave at these insensitive antics, there were probably a host of chagrined Image Bank execs wanting the Society crew to join him.

Equally unlucky in their timing were a couple of long-distance carriers whose simple self-mailers happened to arrive in the same day’s mail as one from Telus.

There was nothing wrong with the non-Telus ones and, on a typical day, they would have commanded consideration. But they didn’t arrive on a typical day. They arrived in the same pile of mail as Telus’s. And the latter was just more compelling creatively, featuring a die-cut window on the cover revealing the recipient’s name. When opened, the two-fold mailer showed, in our household’s case, "The Wendy Knight Bundle" on the right-hand side. On the left panel, there was a letter addressing my wife by name.

The mailer dealt mostly with a package deal and barely mentioned long distance. But because it was more involving than the competitor’s, it consumed all of the Knights’ allocation of telecommunications-consideration time for that day.

Unfortunate as their timing was, though, I don’t think it compares to that of Brinkhaus Jewellers.

On Wednesday, April 5, the island ad they had booked appeared on our newspaper’s stock quotes page. That was the morning after the worst day in the history of NASDAQ. Anyone with high-tech stocks that day was bleeding, not just figuratively from the pocketbook, but probably literally from self-inflicted wounds.

And what did the jeweller’s ad say on this darkest of investor mornings? "DOT-COMS BEEN GOOD TO YOU? Consolidate your gains with an equally hot Canadian diamond."

The ad itself was quite appealing. They used a diamond to say "dot" and, although I abhor reverse ads because they invariably cut readership in half, it made their ad look classy and stand out. But the timing?

All you can do is shake your head and wonder whether Brinkhaus’s ad manager joined thousands of newly-poor stockholders on high-rise window ledges that morning.

If you’re a DM victim of bad timing, it’s certainly no laughing matter. But one can’t help but recall that old joke about the doctor phoning a patient after the latter’s test results come back. "I have bad news and worse news," says the doctor, who is then instructed to relay the bad news first.

"You only have 24 hours to live," he says. And what news could be worse than that? he is asked.

"I forgot to call you yesterday."

If you’re an agency that needs copy or a company that needs a direct mail package produced, it may be time to get in touch with Bob Knight at Knight & Associates. He can be e-mailed at b_knight@telus.net.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.