Don’t let execution get in the way of strategy

I am not a collector. I don’t have shelves full of stamps or coins or vintage Barbie dolls or autographed baseballs. In fact, I have a great deal of trouble finding the things that are on my shelves.

However, I have long known what I would collect if I did collect. And I also know why.

I am endlessly fascinated by chess sets. They are often beautiful, and they are functional – and therefore, they reflect this enthralling business which employs us all. The making of a chess set echoes advertising in its purest terms: it is 50% strategy and 50% execution.

You can create a chess set out of wood, or clay, or marble, or onyx, or cut glass, or poured metal, or paper clips, or Yukon Gold potatoes. You could make the pieces human-sized, as in the town square of Lugano, Switzerland, or you could – and I’m sure it’s been done – make them only visible through a microscope. You can stylize the pieces as if they were medieval courtiers, or the opposing forces at Waterloo, or Trekkers and Klingons. You can even – up to a point – design them in modern abstract.

In other words, as a chess-set maker, your creative potential is just about limitless. But you can fall on your face real easy. If you get carried away with your own creativity, you can easily forget the strategy. And the moment you do, you lose your audience.

A chess player will only care about the beauty of your design until he sits down to play chess. Then the only important thing becomes, which piece is which. And the player who can’t tell your diamond-encrusted rook from your ruby-slippered bishop is going to replace you in a split-second with a nice obvious plastic set from Zellers.

We have a similar infinite arsenal of persuasive materials on our side in advertising. It’s not onyx and marble and teak, it’s sound and motion and music. It’s a whole painter’s palette full of human elements – humour, romance, surprise, oratory, exaggeration, empathy, lateral thinking, reasoned argument. We’ve got the tools to make really great stuff.

But if we get so carried away with our tools that we lose our audience, we’ve got a chess set that wins awards and then sits around useless. And I’m afraid I see this more and more.

I recently put the new Kit Kat campaign in that category. Another Strategy columnist, Pamela Davis, has cited "Ericcson’s recent incomprehensible outdoor campaign." Still another columnist, Barry Base, has a nice metaphor for what seems to be going on. He refers to the kind of creative where they run the chariot race from Ben Hur, slap somebody’s logo on the end, and pretend it’s communication. It may be, but it ain’t a chess set.

The dot-com folks, with all their newly minted billions, are doing a lot of attention-getting ads where you can’t tell the pawns from the knights. Laughs are attached, but not name recognition. In fact, a company called Datek Online is now running a print ad saying, "THE EXECUTION OF YOUR TRADE SHALL BE MORE IMPORTANT THAN MAKING FUNNY COMMERCIALS." A bit wooden, but they have a point.

I stand firmly in the camp of those who believe that entertainment is a good ingredient in advertising – but it can’t be a substitute for making points and hammering home an identity. We should be creating chess sets where the moves are clear – i.e., both feet to cash register and left hand to wallet.

John Burghardt’s checkered resumé includes the presidency of a national agency, several films for the Shah’s government in Iran, collaboration with Jim Henson to create the Cookie Monster, and a Cannes Gold Lion. The letterhead of his thriving business now reads "STRATEGIC PLANNING • CREATIVE THINKING". He can be reached by phone at (416) 693-5072, by fax at (416) 693-5100 or by e-mail at burgwarp@aol.com

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.