Declines were marginal

I read with interest the article, "Specialty mags on the rise" in your April 10 issue.

For the benefit of your readers, I should clarify that the writer of the article did not contact me for comment about PMB 2000 readership data.

Thus, the statement that "a slight rise in overall readership…has come almost exclusively in the area of specialty titles at the expense of some old stalwarts" is not attributable to me. The statement is also non-defendable from the data as they appear.

A syndicated readership study such as PMB may show increases and decreases in individual title readership from year to year – some may be statistically significant; others not so. Year-on-year changes also often fail to conform to any long-term pattern. Even more important, however, it is impossible in a study such as PMB to attribute a gain by any one publication to a loss by another publication or publications – and vice versa. Two individual readership measurements – even from the same study – cannot, and should not, be linked in this way.

I should also point out that some of the titles mentioned in the article as having sustained decreases did in fact experience only the most marginal of declines, and one actually saw a marginal rise in its readership (declines and increases which no trained researcher would treat as statistically significant). Other titles quoted as having seen decreases are undergoing substantial changes in a mix of distribution/circulation/content, which make analysis of their total, "global" readership somewhat superficial, at best. Finally, perhaps the most glaring error is that Profit magazine – cited as having lower readership in PMB 2000 – in fact saw a significant increase in its readership!

As well as the above sins of commission, the article also contains at least one sin of omission in that it disregards some significant PMB 2000 increases in French-language publications. I must confess I’m not sure what exactly constitutes a "specialty mag" (by one definition, all magazines might be considered "specialty"), but some of those French-language title increases may well not fall into such a category.

PMB would have been pleased to provide these, and other, insights for your readers if invited to do so.

Steve Ferley

President

PMB Print Measurement

Bureau

Toronto, Ont.

Ed: For the record, Strategy’s writer did, in fact, contact Steve Ferley for the above-noted article and was provided with comment and background PMB information by him. That said, however, the article did wrongly state that the overall readership of Profit and Flare magazines was down in PMB 2000 over the previous year, when in fact the opposite was true. For that, Strategy apologizes unreservedly.

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.