Honeydew pegs future on U.S. sales

Everyone’s heard the clichés before.

‘We’re living today in a world without borders.’ ‘There is no such thing as a Canadian company anymore.’ ‘The whole world is our marketplace now.’

But what, exactly, does all of this mean in terms of concrete, day-to-day reality? What do Canadian firms go through in the effort to market their products and services internationally? How do they build brands on a global basis? What are the challenges – and the rewards?

For this special report, Strategy’s writers profile the global marketing activities of several noteworthy Canadian companies.

For Honeydew Canada, the international marketplace tastes very sweet indeed.

Four years ago, the Mississauga, Ont.-based juice company took a long, hard look at the Canadian market, and concluded that growth opportunities were limited here. So the 78-year-old firm began to turn its attention south of the border.

Today, there’s no question that Honeydew’s future lies stateside, says Stu Funnell, the company’s president and part owner.

Honeydew began exporting its frozen fruit juice blends to the U.S. in 1996, with considerable success. American sales now represent close to 50% of the company’s revenues – and this despite aggressive competition from the likes of Coca-Cola-owned Minute Maid and Cadbury Schweppes-owned Welch’s (not to mention the general decline of the US$1.2 billion North American frozen fruit juice category).

Made with pure fruit juices and natural honey – a major selling point in the U.S. market, Funnell says – Honeydew’s products come in nine flavours, including Mango Passion Papaya, Strawberry Kiwi and Grape Blueberry.

Distribution is primarily in the central and eastern U.S., where the product is sold through such chains as Shaws, Price Chopper, A&P and Sam’s Club.

While the western states offer a tempting target – and the company does currently ship into Phoenix, Ariz. and Salt Lake City, Utah – Funnell says most of Honeydew’s efforts will be concentrated in the east for the time being.

‘Our objective, before we go crazy in the U.S., is to solidify the brand east of the Mississippi,’ he says. ‘Once that’s done, then we’ll move west.’

To strengthen the brand and help distinguish it from rivals, Honeydew repackaged its juices last year, adding vibrant stripes to the containers, enhancing the imagery and updating the 78-year-old honeybee icon. A new pull-ring feature, designed to make the lid easier to remove, was also added to the packaging for the U.S. market.

Toronto-based Wolf Group works with Honeydew on advertising and marketing for both the U.S. and Canadian markets. In-store materials such as shelf danglers and point-of-sale displays, Funnell says, are key promotional vehicles. The company has also run sweepstakes programs on its Web site (www.hdew.com) to help build customer relationships and generate feedback.

‘We’re not a huge company like McCain or Minute Maid,’ Funnell says. ‘We don’t have the kinds of funds they do, so we have to become much more tactical and street-smart about the way we spend money.’

While the move into the American market has been a relatively smooth process, Honeydew has encountered certain obstacles along the way.

U.S. regulations, for example, impose a whole different set of packaging requirements involving ingredient lists and nutrition guides, forcing Honeydew to create new packaging for the American market. The company now has two separate inventories – one for the U.S., and one for Canada.

Also in this report:

– Tim Hortons issues wakeup call: Builds underdeveloped breakfast category p.25

– Faces adapts to local market: Cosmetics retailer leverages awareness of cultural differences p.25

– Buckley’s takes bad taste message abroad: Cough syrup marketer making steady inroads in U.S. and overseas p.27

– Great Canadian Bagel makes slow but sure gains in Moscow p.27

– Southbrook Farms and Winery proves its worth abroad: Ontario winemaker uses foreign success to boost sales at home p.28

– Seagull Pewter sells at shows: Family-run giftware operation does business in over 20 territories p.28

– Clearly Canadian launches in U.S. first p.28

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.