Workopolis.com opts for light touch

It’s taken three months, but Globe Information Services and Torstar have finally consummated their improbable marriage with the launch of Workopolis.com, a jointly owned Internet job board that’s being flogged with a $7-million multimedia campaign.

The redesigned Web site, which replaces the clunky-sounding Globecareers.com, is being positioned as an online ‘community’ for job seekers, one that offers tips on writing resumés and preparing for interviews, in addition to housing the biggest stockpile of Canadian job postings on the Web.

The communal theme is echoed throughout the launch elements, including a billboard execution that has been designed to resemble a road sign. The poster, designed by newly appointed agency of record Ranscombe & Co., reads, ‘Welcome to workopolis.com, Canada’s biggest job site,’ and lists the ‘population’ as 15,000 jobs.

‘The personality will be welcoming, friendly, fun and light,’ explains Jim Ranscombe, president of Ranscombe & Co., which also came up with the name for the new site. ‘We’re not taking the negative approach that Monster [does],’ he adds, referring to the dot-com company’s critically acclaimed ‘When I grow up’ spots that debuted during last year’s Super Bowl. ‘We’re going to be talking to people who are happy with their jobs and want to be happier.’

But if Workopolis hopes to stem the flow of classified ad revenue to Internet job giants like Monster.ca and JobShark.com, it will have to keep up with them on the marketing front – a proposition so costly that it impelled the shotgun marriage of The Globe and Torstar last October.

Torstar, whose holdings include The Toronto Star and The Hamilton Spectator, paid $19 million for a 40% slice of Globecareers.com, giving The Globe the cash it needed to promote the site more aggressively. Just as importantly, the deal doubled the number of job postings on the new site to 15,000 – the most on any Canadian job board – and boosted the online resumé bank to over 160,000, which still trails the 210,000 resumés posted at JobShark (Monster, by comparison, houses 5,000 jobs and 100,000 resumés).

The campaign officially kicked off Jan. 26 with full page ads in The Globe and Mail and The Toronto Star, plus transit ads and billboards. A series of 30-second television spots are also being produced, and will air in early February.

Credits:

Client: Workopolis.com

Agency: Ranscombe & Co.

Budget: $7 million

Creative Directors: Jim Ranscombe, Tony Miller

Art Directors: Rick Mayzis, Mark Spalding, Jason Kinsella

Writers: Jim Ranscombe, Tony Miller

Media Direction: Anne Wood

Interactive Strategist: Craig Thompson

Account Service Team: Greg Cromwell, Paul Baillie

Media: Newspaper, television, transit, out-of-home, online, Elevator News Network

Launch Date: Jan. 26, 2000

Length of Run: One year (heavy weights in first two months)

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.