Paper connection spells good news for Workopolis.com

The birth last week of Workopolis.com, the love child begat from the strange union betwixt Globe Information Services and Torstar, may one day be remembered as a momentous turning point for the newspaper industry in Canada. Not, however, because it marked the first time the publishers of the two largest daily newspapers in Toronto set aside their competitive differences for a common strategic goal.

No, if the launch of Workopolis is recalled with veneration years from now it will be because it signaled the beginning of a real transformation in the way the purveyors of news and information do business in this country. It may, in fact, be seen as one of the first concrete steps in a process in which the 200-year-old-plus model of simply delivering a static, pre-determined package of news and information to a passive audience was put to rest.

While Workopolis.com is certainly not the first entrant in the race to dominate the online career resource category, it may end up being the first one to fully register in the consciousness of Canadians all across the country. By any existing measure, Monster.ca and Jobshark.com, are doing a superb job of attempting to meet a need in the marketplace – that is, fast, easy access to a large repository of good job opportunities, along with a healthy measure of useful advice. The advantage the similarly structured Workopolis Web site has over them, however, is its offline connection to good old-fashioned newspapers.

Anyone who has ever had to look for work knows that newspapers are a useful place to seek out opportunities, but almost never the best place to look. Still, the habit of turning to newspapers to look for work is ingrained in the behaviour of most ordinary people, and by joining forces on Workopolis, The Globe and the Star have craftily put in a place a method to transfer the offline goodwill they’ve earned over the years to the Internet. Once they perfect the new model and take further steps to solidify the direct relationships they’ve established with their audience, count on seeing a torrent of new interactive content flowing between the information providers and their audiences.

The only potential hurdle to Workopolis being the spark to make that happen would be an ineffective branding and launch strategy that renders the venture little more than an interesting footnote in the history of the development of the Internet economy in Canada. But that couldn’t possibly happen, could it?

David Bosworth

dbosworth@brunico.com

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.