ARF issues media measurement warning

If you think it’s tough these days to get a handle on who’s watching what, just wait a few years. A committee of top media research experts says current audience measurement technology won’t be able to cope once digital television becomes the norm.

Gabe Samuels, vice-president of research for the New York-based Advertising Research Foundation, says it’s highly unlikely BBM’s Picture Matching technology nor Nielsen Media Research’s Tuner Probe technology will be effective in five to six years, once the industry switches over to digital broadcasting.

In the new digital world, media measurement experts say, the compression of broadcast signals will mean the elimination of unique signals for Tuner Probe technology to detect. In the same way, the convergence of technology will mean that personalized viewing won’t be recognized by Picture Matching.

With this in mind, ARF is funding the North American Television Audience Measurement (NATAM) project. Chaired by Samuels, NATAM boasts a triumvirate of media measurement experts: Barry Kiefl, director of research for CBC, Horst Stipp, director of research for NBC, and Bill McKenna, CEO of Mediafax in Puerto Rico.

Kiefl says NATAM is trying to provide guidance to suppliers of audience research so the industry is not caught flat-footed in 2006 when digital television will be the only broadcast format coming out of the U.S.

‘[Digital broadcasting] is going to change the whole marketing world,’ says Kiefl, equating interactive TV with the birth of an entirely new medium.

He says NATAM is trying to forecast consumer adoption of digital technology and, on that basis, will put forth some likely scenarios about what devices will need to be monitored in five years. In addition, it will establish guidelines outlining the information clients, agencies and broadcasters will need from future measurement systems.

‘The measurement companies today are arguing about things that were relevant five years ago,’ Kiefl says. ‘They’re certainly not going to be relevant five years from now.’

The committee’s work is expected to be completed and its report released by the end of this year.

For their part, Canada’s television audience measurement companies say while they might not have the appropriate technology today, they will by the time it’s needed.

Mike Leahy, group vice-president, sales and marketing for Nielsen Media Research, concedes that Tuner Probe technology was designed for an analogue environment, but says the company is already field-testing a portfolio of new measurement solutions. They include software metering methods and an Active/Passive meter that combines active audio and video code readers with passive audio and video matching engines.

‘The coming digital technologies require an enormous amount of expenditure and expertise to measure,’ says Leahy. He credits the company’s size and stature with the fact that digital behemoths such as Microsoft, Lucent, Worldgate and Intel are partnering with Nielsen on new measurement solutions.

Robert Langlois, vice-president of Quebec services for BBM Bureau of Measurement, says he’s surprised at NATAM’s assertion that Picture Matching will not be effective in the digital future, because in Vancouver it is currently being used to measure a number of households that use satellites and other television distribution methods.

Langlois adds that if, in fact, Picture Matching technology does not meet the needs of the industry six or seven years from now, BBM will find a technology that will.

‘Because we don’t have an investment in research and development ourselves, we don’t have any system to amortize except the actual expenditures to [install] the system,’ says Langlois of the tripartite industry association.

‘We will be in a position to walk away if need be and introduce a new service.

‘That’s the beauty of BBM; we’re able to bring to the Canadian industry what we and the industry feel would be best at the moment the need is identified.’

Cannes Lions 2025: Canadians nab more medals on final festival day

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Friday’s batch of Silver and Bronze winners included the oldest category at the Cannes festival, Film, as well as Sustainable Development Goals, Dan Wieden Titanium, Glass: The Lion for Change and Grand Prix for Good. Canadians were recognized with four Lions today: two Silver and a Bronze in Film, as well as a Bronze in Sustainable Development Goals.

FCB Toronto was given yet another nod for its work, “The Count,” for SickKids, bringing the medal count for that campaign to four, including a Gold for Health & Wellness. Another Canadian agency recognized on the final day of the festival was Klick Health Toronto, which earned a Silver in Film for its work “Love Captured” for Human Trafficking Awareness and a Bronze for “18 Months” for Second Nurture. And over in Sustainable Development Goals, the Bronze went to Publicis Canada and its “Wildfire Watchtowers” work for Rogers.

Another massive win for Canada included not one, but two Young Lions (pictured above) taking home medals in the annual competition. In Design, the Gold Young Lion was awarded to Rethink’s senior motion designer Jesse Shaw and ACD Zoë Boudreau. The second, a Bronze in Media, went to Cossette Media’s business intelligence analyst Samuel David-Durocher and product development supervisor Tristan Bonnot-Parent.

Film (2 Silver, 1 Bronze)

1 SILVER: “The  Count” by FCB Toronto for SickKids Foundation

“The Count,” a striking campaign from FCB Toronto for SickKids Foundation, has earned 1 Gold, 2 Bronze and now 1 Silver for Film at Cannes. If you watch it, it’s easy to see why. The collaboration between brand and agency honoured the hospital’s “VS” platform, while steering it in a new direction from its initial development by previous AOR Cossette. The creative celebrates childhood cancer patients who have to fight for every birthday, while honouring the hospital’s own milestone – 150 years and counting.

 

1 Silver: “Love Captured” by Klick Health Toronto for The Exodus Road

Klick Health Toronto added to its medal tally with a Silver in Film for it’s work “Love Captured” for The Exodus Road. The creative features a romantic getaway that isn’t what it seems in an experiential short film for the global anti-trafficking organization. The experience takes viewers through a tragic and twisting experience of exploitation.

 

1 BRONZE: “18 Months” by Klick Health Toronto for Second Nurture

Klick Health Toronto also won a Bronze in the Film category for its work, “18 Months,” done for the charity organization Second Nurture. The animated film is based on a real-life story in which a same-sex couple adopts a baby found in a subway station, and the 18-month journey into a story of hope.

Sustainable Development Goals (1 Bronze)

1 BRONZE: “Wildfire Watchtowers” by Publicis Canada for Rogers

Publicis Canada landed on the winners board for its work, “Wildfire Watchtowers,” for Rogers. The Canadian-developed wildfire-detection tech – which has been billed as “a fire alarm in the forest” – uses AI-powered sensors installed on 5G towers to monitor vast remote areas in real time. By scanning, identifying and reporting early signs of wildfires (up to 16 minutes faster than other systems), the technology helped prevent 54 fires in 2024 alone.

Catch the Gold winners later today when they’re revealed at the gala in Cannes.