Canuck firm wades into TV Web stream

A small, Toronto-based multimedia shop is attempting to build a global business around the promise of delivering television on the Web. And, no, we’re not talking about iCraveTV.

Virtual Broadcast Corp., founded only a year ago, has begun to carve itself a niche in the fledgling Internet video streaming industry. With the January launch of its portal, TVRadio.com, the company claims to be the first Web site in North America to produce and host interactive specialty channels featuring original, made-for-Internet TV programming.

While Canadian companies like Extend Media and Blue Zone take existing traditional television programs and add Web-enabling capabilities, TVRadio.com creates original content specifically for the Internet.

In addition to producing original content, the company will be providing advertisers with the opportunity to create highly interactive ads and beyond-the-banner initiatives.

‘We’re a television network in a box – no one else makes original programming,’ says Sidney M. Cohen, president and executive producer. ‘We’re staking our claim to our little patch of dial. We have no doubt there will be others. There’s room for a lot of players here.’

The company is planning an official launch in six weeks, to coincide with the rollout of a major branding campaign. While Cohen says the North America-wide effort will consist of general publicity, direct mail, e-mail and strategic partnerships, he declines to divulge details.

Visitors to the TVRadio.com site – which bills itself as ‘The Infotainment Network’ – are provided a list of programming options. The current line-up includes Men, Women, Teen, Astrology, Handy Hints, Private Eye, Health, Movies, Comedy, Cooking and – the most popular offering to date – Naturist TV, which promotes a ‘wholesome, clothes-free lifestyle.’

Within each network, or channel, is an index of programs, which in turn features a list of episodes – one- to 10-minute video clips created and produced by TVRadio.com or licensed on an exclusive basis, often from Canadian producers.

While broadcasting on the Internet has been hampered by the slow adoption of high-speed Internet access, many pundits believe it is finally beginning to build some steam – a necessary prerequisite to attracting eyeballs and ad revenues.

But whether the content is compelling enough to engage visitors and the ads compelling enough to encourage sales is an open question for advertisers, says Don Barnes, media director of Ogilvy & Mather and OgilvyOne Worldwide, and director of Ogilvy Interactive.

The problem right now, he says, is determining the proper model to entice people to look at a commercial in that type of situation – in addition to making an offer the consumer can’t refuse. Web publishers have to provide content that will drive people to their site, he says, while marketers have to find out what to do to persuade people to look at their messages.

The potential for advertisers of broadband and interactivity is strong, he says, yet many clients and agencies aren’t even giving it a second thought.

‘[It] absolutely boggles my mind,’ says Barnes. ‘There are some guys out there who are right on top of it and ‘get it’, and then there are a whole bunch of agencies and advertisers who are totally behind.’

Advertising opportunities at TVRadio.com include traditional banner ads, specialty channel sponsorships, program sponsorships, streaming television commercials with direct e-commerce or contest opportunities, coupons, and viewer participation. According to Cohen, the company has already inked major advertising deals with Swatch Canada, the World Wildlife Fund, Avis, Clearly Canadian and Corel, and it is still in discussion with several other high-profile advertisers.

The programming categories within TVRadio.com are demographically oriented or subject-oriented to enable advertising and e-commerce to be linked to content, says Chris Meraw, the company’s founder and CEO. He says Virtual Broadcast Corp. is hoping to become an e-commerce player by linking shopping services to its content areas.

After that, he says, the next step will be signing up users for personalized content and regular updates in an effort to develop the company’s database and facilitate one-to-one marketing.

So far, TVRadio.com has attracted over 150,000 visitors from 62 countries – with over half the viewership from the U.S., says Meraw. The site is targeted primarily at the broadband-enabled, although it is set up to serve low-speed (28K to 56K) Internet users, at least until current technological limitations are eased.

‘The install base of high-speed Internet users is growing by the second,’ says Meraw. ‘The days of accessing the Net over a dial-up 56K or even 28.8K modem are over.’

A handful of Canadian streaming media companies like wwbc.net (Worldwide Broadcast Network), www.viavid.com, and even children’s content producer Nelvana are joining such veterans as Real Networks and Yahoo!’s Broadcast.com in a rush to stake their territory before the major networks move in.

But it will still be some time before there are enough consumers with broadband access to make the medium attractive for national advertisers and content providers, says John Sobol, an associate with Toronto-based Convergence Consulting Group, which will soon release a report on the streaming media industry in Canada.

‘In the short run, the streaming media industry is hindered by the fact that access is controlled – it’s in the hands of the cable industry,’ he says. ‘Delivering broadband access to consumers is a very expensive proposition for both cable companies and telcos. It won’t happen overnight.’

Meraw is undeterred. ‘We want to establish ourselves as one of the premier portals on the Net for infotainment. To do so, we had to be early to market. We are interested in serving the under-served market.

‘Eventually, it will be a liability if corporations and portals don’t change fast to incorporate this multimedia experience. People will go where the action is.’.e

Cannes Lions 2025: More Lions go to Rethink and Weber Shandwick

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Thursday’s batch of Silver and Bronze winners included the Creative Business Transformation, Creative Effectiveness, Creative Strategy, Luxury Lions, Brand Experience & Activation, Innovation and Creative Commerce Lions categories. Canadians were recognized with three Lions today: a Silver in Brand Experience & Activation, a Bronze in Creative Commerce and a Bronze in Creative Effectiveness. Rethink was awarded twice on Day 4, while Weber Shandwick rounded out the Canadian agency wins with one Lion. Below is a look at the work. Catch the Gold winners later this afternoon when they’re revealed at the gala in Cannes.

Creative Commerce (1 Silver)

1 SILVER: “U Up?” by Rethink for IKEA

IKEA’s “U Up?” campaign has legs, it turns out. The campaign is getting major love at Cannes. The IKEA work, created in collaboration with Rethink Toronto, added to its Cannes Lions tally with a Silver medal in Creative Commerce. That now makes five total Lions for the work, including two Golds on Wednesday night, for Direct and Socal & Creator. The campaign has been lauded by jurors for its dexterity, contextual timing and humour.

Creative Effectiveness (1 Bronze)

1 BRONZE: “Heinz Ketchup & Seemingly Ranch” by Rethink for Kraft Heinz 

Both Rethink and Kraft Heinz picked up another Lion, this one a Bronze in Creative Effectiveness for their collaboration on “Heinz Ketchup & Seemingly Ranch.” Not only did the work capture a culture moment spurred by Taylor Swift, but it also created a new product, “in under 24 hours,” to match. The latest two Lions makes 10 total wins for Rethink. Kraft Heinz and Rethink also picked up a rare Gold Lion for Media a day earlier.

Brand Experience & Activation (1 Bronze)

1 BRONZE: “Airbnb Icons” by Weber Shandwick for Airbnb

The Weber Shandwick work, “Airbnb Icons,” won Bronze on Thursday in Brand Experience & Activation after claiming a Bronze in Media Wednesday. Airbnb turned media brands into a destination, partnering with the likes of Marvel and Disney to offer travellers experiences like drifting off in the Up house or crashing at an X-Men mansion. The first 11 experiences rolled out mid-2024, and most of the experiences were free or under $100, with over 4,000 tickets sold by the end of the season.