Sometimes The Big Idea is The Bad Idea

If the 20th century did nothing else, it can claim to have produced and given a warm howdy-doody to more of mankind’s monumentally bad ideas than any other century in history.

But from communism to marching on Moscow in winter to running ads in Strategy using bloody-baseball-bat humour, bad ideas have a maddening way of only showing up in retrospect.

Bad ideas are a feature of The Human Condition, of course, as a few hours sitting around in small claims court will confirm. Furthermore, most humans get to exercise their bad ideas more or less in private, except in the case of particularly messy divorces.

But if you’re the kind of guy or gal who gets involved in major land wars in Asia, or winds up having your bad ideas shot on 35mm film and run on television till the cows come home, you’ve got to exercise particular vigilance. You gotta spot those questionable calls and crush ’em before they turn really ugly and bite you on the ass.

Here’s an example. A few years back, I was working with a guy who’d made millions by taking small, mom-and-pop operations and growing them into profit-spewing powerhouses through the application of sound business controls and disciplines.

He rang me one day and said he figured he’d nailed the next grassroots industry, and a candidate company within it, that could be turned into a bonanza with one wave of his business-acumen wand.

The industry was catering trucks. A bunch of lonely guys who peddle coffee and sandwiches and Export As on construction sites and plant parking lots until they run out of stale doughnuts and go home around three and watch All My Children. But he’d found a catering guy in a small Ontario market who was really gung ho about growing his business. The guy had a fleet of trucks that ran 10 or 12 hours a day with on-board computers and freshness controls and menu management and whatever. Simply buy into the outfit, infuse capital, roll out the concept internationally and springboard to success.

There’s only one small problem said my friend. What’s that? I asked. The name he replied. The guy won’t change the company name for anything.

So what is it? There was a pause on the line. ‘Stomach Man’ he said.

So there it was. The bad idea. The small, raging tumour that was bound to rampage into some ghastly dog’s breakfast of Crotchburgers and Armpit Salads before you’d have known what hit you. Sadly, but I believe wisely, he threw Stomach Man back.

You flip through the channels, and there’s just so much stuff that sets off your alarm bells these days. Like the Domino’s Pizza spot. The Meatsa Trio! Three fat guys in tuxedos doing cheesy impressions of The Three Tenors and bellowing A-SPICY-PEPPERONIIIIII!!! with their bulging eyes and wet, gaping mouths a few inches off the surface of the product. Yuck!

There’s a spot running where a slightly fey cosmetic dentist admonishes us to inquire about having work done by dialing 1-800-NU MOUTH. The teeth are fine, but the mouth has to go! Ha Ha!

I guess if it really turns your crank, you can duct-tape a 65-pound dog around your neck and pull your clothing up over your head so somebody can button your shirt collar around the dog’s neck and, if it doesn’t scratch you to death or pee itself, you can run around the living room yelling LOOK I’M A DOG I’M A DOG! I am not kidding, somebody talked Honda into doing an Odyssey spot where people with dogs strapped to their heads sit in the car, wave from the car, read books in the car, drink pop in the car, and you sit there astounded and go what could they have been thinking?

I’ve given it a lot of thought for a commercial, and frankly I think it was a bad idea to bring Colonel Sanders back as a cartoon. Even if it was a good idea, it’s the wrong cartoon. I mean he was a pretty weird old buzzard in the flesh, with the wispy Fu Man Chu beard and the cane and everything, but the cartoon version is a travesty. An unctuous, blustering hick! A pushy, corn-pone huckster. Would you buy a chicken from this cartoon?

You know, there used to be a chicken chain called The Red Barn. They had a cartoon spokeschicken. A rooster, in a tux. Why? Because their chicken was dignifried, that’s why! But I’ll tell ya, compared to this pallid, obsequious cartoon Colonel, the Red Barn rooster was Alistair Cooke.

If I told you that the makers of NyQuil had come up with a line extension called DayQuil, would you believe me? Yes? With that, I rest my case!

Barry Base creates advertising campaigns for a living. He writes this column to blow off steam, and as a thinly disguised lure to attract clients who may imagine working with him could be a productive and amusing experience. Barry can be reached at (416) 924-5533, or faxed at (416) 960-5255, at the Toronto office of Barry Base & Partners.

Cannes Lions 2025: More Lions go to Rethink and Weber Shandwick

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Thursday’s batch of Silver and Bronze winners included the Creative Business Transformation, Creative Effectiveness, Creative Strategy, Luxury Lions, Brand Experience & Activation, Innovation and Creative Commerce Lions categories. Canadians were recognized with three Lions today: a Silver in Brand Experience & Activation, a Bronze in Creative Commerce and a Bronze in Creative Effectiveness. Rethink was awarded twice on Day 4, while Weber Shandwick rounded out the Canadian agency wins with one Lion. Below is a look at the work. Catch the Gold winners later this afternoon when they’re revealed at the gala in Cannes.

Creative Commerce (1 Silver)

1 SILVER: “U Up?” by Rethink for IKEA

IKEA’s “U Up?” campaign has legs, it turns out. The campaign is getting major love at Cannes. The IKEA work, created in collaboration with Rethink Toronto, added to its Cannes Lions tally with a Silver medal in Creative Commerce. That now makes five total Lions for the work, including two Golds on Wednesday night, for Direct and Socal & Creator. The campaign has been lauded by jurors for its dexterity, contextual timing and humour.

Creative Effectiveness (1 Bronze)

1 BRONZE: “Heinz Ketchup & Seemingly Ranch” by Rethink for Kraft Heinz 

Both Rethink and Kraft Heinz picked up another Lion, this one a Bronze in Creative Effectiveness for their collaboration on “Heinz Ketchup & Seemingly Ranch.” Not only did the work capture a culture moment spurred by Taylor Swift, but it also created a new product, “in under 24 hours,” to match. The latest two Lions makes 10 total wins for Rethink. Kraft Heinz and Rethink also picked up a rare Gold Lion for Media a day earlier.

Brand Experience & Activation (1 Bronze)

1 BRONZE: “Airbnb Icons” by Weber Shandwick for Airbnb

The Weber Shandwick work, “Airbnb Icons,” won Bronze on Thursday in Brand Experience & Activation after claiming a Bronze in Media Wednesday. Airbnb turned media brands into a destination, partnering with the likes of Marvel and Disney to offer travellers experiences like drifting off in the Up house or crashing at an X-Men mansion. The first 11 experiences rolled out mid-2024, and most of the experiences were free or under $100, with over 4,000 tickets sold by the end of the season.