NADbank: Globe rebounds, post holds firm

Phillip Crawley has been vindicated. The publisher and CEO of The Globe and Mail said back in November he never believed that newspaper readership in general – and for The Globe in particular – had declined. He maintained it was a temporary blip caused by the avalanche of free copies being distributed, in large part, by newcomer National Post. And the results of NADbank’s Toronto fall readership survey appear to have proved him right.

The new research shows The Globe has regained most of the weekday readership it ‘lost’ in the previous study and, to the surprise of many on the media planning and buying side of the business, the National Post has also continued to grow.

Both papers have gained in key demographics such as university graduates and high-income earners, but weekday numbers indicate readers are spending more time with the Post than The Globe.

While NADbank’s most recent study is believed to be a more accurate depiction of the market than the one last spring, there is still concern in the media camp about the number of newspapers being given away and their effect on the measurement process, particularly during survey periods.

Debbie King, executive vice-president and managing director of Optimedia Canada, characterizes the previous study as ‘too far from reality’ given the number of free copies floating around in the Toronto market.

‘In terms of how the Post sat, I took that with a grain of salt.’

Results of the fall study show overall newspaper readership remained stable between the spring and fall surveys with 55% of adults 18-plus reading at least one of the measured papers on an average weekday.

Average weekday readership of three of the four measured papers is up: The Globe came in at 506,700; the Post, 302,900; and The Toronto Star, 1,179,500. The Toronto Sun, meanwhile, dropped to 634,3000 from 711,500.

Susan Ellsworth, vice-president and research director of OMD Canada, says she wasn’t surprised The Globe rebounded but was a little shocked to see that the Post continued to gain, and seemingly at the expense of The Sun.

‘The volatility we’re seeing from survey to survey just shows that certainly in markets like this, we could really use a survey more than once a year,’ Ellsworth says.

‘We recognize it’s expensive to do this kind of research but if NADbank is moving closer to some kind of year-round measurement, we think that’s the way they should be going.’

She says readership for key demographic groups – university graduates, managers/professionals (MPE), adults 25 to 54, and adults 25 to 54 with household incomes of $75,000 or more – are back to levels on a par with those of NADbank spring 1998 for all four papers. The Post has picked up some of these readers from The Star and The Sun.

MPE readership for The Globe is 25%, up from 17%; the Post 17%, up from 13%; The Star 38%, down from 39%; and The Sun 15%, down from 18%.

In the coveted adults 25 to 54 with household income of $75,000-plus category, The Globe rebounded to 23% from 13%; the Post gained 4% with 15%; The Star is up 2% to 38%; and The Sun dropped 7% to 17%.

The Toronto fall readership study was conducted over 13 weeks between Sept. 21, 1999 and Feb. 5, 2000 with a sample size of 1,500 in the CMA (core market area) and 1,800 in the EMA (extended market area).

The percentage of adults 18-plus who read at least one issue of The Toronto Star Monday to Friday dropped 2% to 46%. The Toronto Sun lost 1%, moving to 31% while The Globe increased to 22% and the National Post remained unchanged at 15%.

The Toronto Star also saw a slight drop in its Saturday (1%) and Sunday (2%) readership. Saturday readership of The Sun remained unchanged while The Sunday Sun lost 2%.

Both The Globe and the Post gained 2% on their Saturday readership.

Fieldwork for the next NADbank survey, to be released in November, is currently underway through June in all Canadian markets.

Cannes Lions 2025: More Lions go to Rethink and Weber Shandwick

Strategy is on the ground in Cannes, bringing you the latest news, wins and conference highlights all week long. Catch all the coverage here.

Thursday’s batch of Silver and Bronze winners included the Creative Business Transformation, Creative Effectiveness, Creative Strategy, Luxury Lions, Brand Experience & Activation, Innovation and Creative Commerce Lions categories. Canadians were recognized with three Lions today: a Silver in Brand Experience & Activation, a Bronze in Creative Commerce and a Bronze in Creative Effectiveness. Rethink was awarded twice on Day 4, while Weber Shandwick rounded out the Canadian agency wins with one Lion. Below is a look at the work. Catch the Gold winners later this afternoon when they’re revealed at the gala in Cannes.

Creative Commerce (1 Silver)

1 SILVER: “U Up?” by Rethink for IKEA

IKEA’s “U Up?” campaign has legs, it turns out. The campaign is getting major love at Cannes. The IKEA work, created in collaboration with Rethink Toronto, added to its Cannes Lions tally with a Silver medal in Creative Commerce. That now makes five total Lions for the work, including two Golds on Wednesday night, for Direct and Socal & Creator. The campaign has been lauded by jurors for its dexterity, contextual timing and humour.

Creative Effectiveness (1 Bronze)

1 BRONZE: “Heinz Ketchup & Seemingly Ranch” by Rethink for Kraft Heinz 

Both Rethink and Kraft Heinz picked up another Lion, this one a Bronze in Creative Effectiveness for their collaboration on “Heinz Ketchup & Seemingly Ranch.” Not only did the work capture a culture moment spurred by Taylor Swift, but it also created a new product, “in under 24 hours,” to match. The latest two Lions makes 10 total wins for Rethink. Kraft Heinz and Rethink also picked up a rare Gold Lion for Media a day earlier.

Brand Experience & Activation (1 Bronze)

1 BRONZE: “Airbnb Icons” by Weber Shandwick for Airbnb

The Weber Shandwick work, “Airbnb Icons,” won Bronze on Thursday in Brand Experience & Activation after claiming a Bronze in Media Wednesday. Airbnb turned media brands into a destination, partnering with the likes of Marvel and Disney to offer travellers experiences like drifting off in the Up house or crashing at an X-Men mansion. The first 11 experiences rolled out mid-2024, and most of the experiences were free or under $100, with over 4,000 tickets sold by the end of the season.